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(Mexico City, 1980)

Lives and works in Mexico City, Mexico.

Represented by Galería Hilario Galguera (Mexico City) & Arena México Arte Contemporáneo (Guadalajara).

EDUCATION

2004    Curatorial Studies Program. Teratoma / CANAIA. Mexico City, Mexico.

1999– 2004    BA in Communication | Film & Video. Universidad Iberoamericana, Campus Sta. Fe. Mexico City, Mexico.

1998- 2003 Photography / Alternative Media. Centro de la Imagen. Mexico City, Mexico.

SOLO SHOWS

2018 Pyre. Cushion Works. San Francisco, CA. USA.

2017 Nueva narrativa metropolitana. Artere-a. Guadalajara, Mexico.

2016 Such a War as is of Every Man Against Every Man. La Ene. Buenos Aires, Argentina.

Whereof One Cannot Speak, Thereof One Must Be Silent. Alkovi/Ingredients. Helsinki, Finland.

The World is the Totality of Facts, Not of Things. Nueva Vitrina / Exconvento del Carmen. Guadalajara, Mexico.

2015 The Tradition of All Dead Generations. Ex Teresa Arte Actual. Mexico City, Mexico.

Batiente 0.8: ¿What hath God wrought? Casa del Lago. Mexico City, Mexico.

2014 State of Exception. Espacio Mínimo. Madrid, Spain.

2013 A Glimpse of all Things Gone Wrong. Kostka Gallery. Prague, Czech Republic.

2012 A Brief History of Breakdown. Yautepec Gallery. Mexico City, Mexico.

2011 Poetics of Dishonor. Sala de Arte Público Siqueiros. Mexico City, Mexico.

2010 Deceive, Inveigle & Obfuscate. Yautepec Gallery. Mexico City, Mexico.

2009 Your False Rebellions Mean Nothing. Arena México Arte Contemporáneo. Guadalajara, Mexico.

Botched Messiah. LArVa. Guadalajara, Mexico.

2008 Botched Messiah. Ex-Convento Dieguino | 36° Festival Internacional Cervantino. Guanajuato, Mexico.

2007 Feelings. Trolebus/Galería. Mexico City, Mexico.

2005 Acapulco Golden. O-Lamm. Mexico City, Mexico.

DUO SHOWS

2018 Theatre of Operations (collaboration with Enrique Ježik). Galería Hilario Galguera. Mexico City, Mexico.

2017 Repertoires of Contention (collaboration with Tony Garifalakis). Gertrude Contemporary. Melbourne, Australia.

Tres golpes (collaboration with Javier Barrios). Fundación CALOSA. Irapuato, Mexico.

2012 To Preserve Disorder (collaboration with Jesse Hlebo). Otras Obras. Tijuana, Mexico.

2005 Recipes for Disaster (collaboration with Mauricio Limón). Arena México Arte Contemporáneo. Guadalajara, Mexico.

COLLECTIVE SHOWS (selection)

2019 Generation W(ar). Torrance Museum of Art. Los Angeles, CA. USA.

La emancipación de la disonancia. Instituto Cervantes Roma. Rome, Italy.

2018 Gangwon International Biennale 2018: The Dictionary of Evil. Gangwon, South Korea.

White Anxieties. WhiteBox. New York, NY. USA

Postrauma. Sala Gasco Arte Contemporáneo. Santiago, Chile.

Nacido en casa. Devenires y porvenires del oficio de la tapicería Alto Liso en Jalisco, 1968-2018. Museo Amparo. Puebla, Mexico.

Utopía y Deriva: relatos en tránsito. Centro de Arte Bernardo Quintana. Queretaro, Mexico.

2017 a revolution from my bed. Young Artist Project ‘17 / EXCO. Daegu, South Korea.

Old Glory. Mulherin New York. New York, NY. USA.

La Náusea. Museo de Arte de Zapopan. Guadalajara, Mexico.

Structural Disparities. Seoul Art Space_Geumcheon. Seoul, South Korea.

Thin Air. Galeria Emma Molina. Monterrey, Mexico.

2016 Shut Up and Paint | NGV Collection. National Gallery of Victoria. Melbourne, Australia.

Acts of Sedition. WhiteBox. New York, NY. USA.

Resonancias desde el Jardín de las delicias. Museo de Arte Carrillo Gil. Mexico City, Mexico.

#MakeAmericaGreatAgain. WhiteBox. New York, NY. USA.

DIY Fiction. Espacio de Arte Careyes / Careyes Foundation. Careyes, Mexico.

A Certain Urge (Towards Turmoil). EFA Project Space. New York, NY. USA.

Beyond The Tropics. Museu d’Història de Catalunya. Barcelona, Spain / Teatrin 2 Ferala. Bol, Croatia /
Centro Cultural de España. Mexico City, Mexico / Centro Cultural de España. San Jose, Costa Rica.

The Enemy Within. Área / Lugar de Proyectos. Caguas, Puerto Rico.

Punk Povera. WUHO. Los Angeles, CA. USA.

Nosotros ya no somos los mismos (Seres de luz del trabajo inmaterial). Centro Cultural Matucana 100. Santiago, Chile /
Museo de Arte de Zapopan. Guadalajara, Mexico.

Políticas del polvo. Galeria Emma Molina. Monterrey, Mexico.

Kozmic Blues: Entre control/descontrol. Complejo Cultural Universitario BUAP. Puebla, Mexico.

Ser Sensible. La Quiñonera. Mexico City, Mexico.

Pintura. Artere-a. Guadalajara, Mexico.

2015 Now? NOW! / Biennial of the Americas 2015. Museum of Contemporary Art Denver. Denver, CO. USA.

There Is Only One Catch And That Is Catch 22. Y Gallery. New York, NY. USA.

Paisatges: L’estigma d’allò social. Palmadotze. Barcelona, Spain.

Beyond The Tropics. Università IUAV di Venezia / Palazzo Ca’ Tron. Venice, Italy.

Bienal de las Fronteras: Límites Nómadas. Museo de Arte Contemporáneo de Tamaulipas. Matamoros, Mexico.

1a Bienal Nacional del Paisaje. Museo de Arte Carrillo Gil. Mexico City, Mexico.

Self-Organized — Aesthetics Politics of the Artist Run. Guest Spot @ The Reinstitute. Baltimore, MD. USA.

Motley Mexico. De Balie. Amsterdam, The Netherlands.

Reactivación. Object Not Found. Monterrey, Mexico.

2014 Micro-acciones de emergencia #2. ADN Platform. Barcelona, Spain.

IX Bienal Nicaragüense de Artes Visuales. Fundación Ortiz-Gurdián. Managua, Nicaragua.

The Lady with the X-ray Eyes. Varna City Art Gallery. Varna, Bulgaria.

Les Rencontres Internationales in Berlin. Haus der Kulturen der Welt. Berlin, Germany.

1a Bienal Nacional del Paisaje. MUSAS - Museo de Arte de Sonora. Hermosillo, Mexico.

Delirios de Declive. Curro & Poncho. Guadalajara, Mexico.

Èdra: Connecting Landscapes. Istituto Polacco di Roma / Ambasciata del Messico. Rome, Italy.

Visible Invisibilización: Aproximaciones en torno a la violencia. Museo de Arte Contemporáneo Alfredo Zalce . Morelia, Mexico.

2013 Mexico: Inside Out. Modern Art Museum of Fort Worth. Fort Worth, TX. USA.

South of the Border. Anthology Film Archives. New York, NY. USA.

The Name, The Nose. Museolaboratorio | Ex Manifattura Tabacchi. Città Sant’Angelo, Pescara. Italy.

X Bienal Monterrey FEMSA. Antiguo Colegio de San Ildefonso. Mexico City, Mexico.

Trama y urdimbre. Museo de Arte Raúl Anguiano. Guadalajara, Mexico.

Visible Invisibilización: Aproximaciones en torno a la violencia. Museo de la Ciudad. Queretaro, Mexico.

2012 XV Bienal de Pintura Rufino Tamayo. Museo Tamayo Arte Contemporaneo. Mexico City, Mexico.

Crisis Complex. Tin Sheds Gallery. Sydney, Australia.

Wherever you roam. MoLAA. Long Beach, CA. USA.

Celebrity Skin. White Box Contemporary. San Diego, CA. USA.

Still Lifes: Invitation to a beheading. Diablo Rosso. Panama City, Panama.

X Bienal Monterrey FEMSA. MARCO. Monterrey, Mexico.

Body Snatchers. WhiteBox. New York, NY. USA.

La Quebradora. Mission Cultural Center for Latino Arts. San Francisco, CA. USA.

The revelation of what has already been destroyed. Object Not Found. Monterrey, Mexico.

Take S. Centro de Artes de Sines. Sines, Portugal.

West is more. Upstairs at the Market Gallery. Los Angeles, CA. USA.

Oído Enfático. La Quiñonera. Mexico City, Mexico.

DFSAKJLÑAS:)DHKFLAJDHS. Trama Centro. Guadalajara, Mexico.

Under the volcano. Andromeda Contemporáneo. San Jose, Costa Rica.

2011 XV Bienal de Pintura Rufino Tamayo. Museo de Arte Contemporáneo de Oaxaca. Oaxaca, Mexico.

How to philosophize with a hammer. WhiteBox. New York, NY. USA.

Four minutes, Thirty-three seconds. LegalArt. Miami, FL. USA.

Alarma! Death be Kind. Melbourne, Australia.

Everything must go. Casey Kaplan Gallery. New York, NY. USA.

Cosmopolis. Pristine Galerie. Monterrey, Mexico.

Círculos de Confusión: Caos social y Ficciones dominantes. Centro de la Imagen. Mexico City, Mexico.

Endism. 24hrArt | Northern Territory Centre for Contemporary Art. Darwin, Australia.

Fuerzas básicas: Formas del dibujo reciente en Jalisco. Museo de la Ciudad. Guadalajara, Mexico.

Todo en mi cabeza está padrísimo. Piso 51. Mexico City, Mexico.

V Bienal Nacional de Artes Visuales de Yucatan. Centro de Artes Visuales. Merida, Mexico.

Sobre ética y obscenidad. La Quiñonera. Mexico City, Mexico.

2010 The road to hell is paved... Las Cienegas Projects. Los Angeles, CA. USA.

Efecto Drácula. Museo Universitario del Chopo. Mexico City, Mexico.

Chewbacca to Zapata: Revisiting the myth of the Mexican Revolution. Morono Kiang Gallery. Los Angeles, CA. USA.

Indian Summer. Arena Mexico Arte Contemporáneo. Guadalajara, Mexico.

Crossing Boundaries|Qui Vive? II Moscow International Biennale for Young Art. Winzavod Centre for Contemporary Art. Moscow, Russia.

Nice & FUBAR. Jaus. Los Angeles, CA. USA.

Carry on or Stow away. Gambia Castle. Auckland, New Zealand.

The Billboard Project. Portugal Arte 10. Lisbon, Portugal.

Omega. Margaret Lawrence Gallery. Melbourne, Australia.

Bad Moon Rising 5. UKS. Oslo, Norway.

Creative Tensions. NCCA Yekaterinburg. Yekaterinburg, Russia.

(Ready)Media: Hacia una arquelogía de los medios y la invención en México. Laboratorio Arte Alameda. Mexico City, Mexico.

Mexicali Biennial 09/10. Ben Maltz Gallery at Otis College of Art & Design. Los Angeles, CA. USA.

Environments | Videolab. Pátio da Inquisição. Coimbra, Portugal.

Artemergente Bienal Nacional Monterrey 2010. Centro de las Artes | Nave Generadores. Monterrey, Mexico.

Creación en Movimiento: Jóvenes Creadores 2009-2010. Casa de Cultura de Morelia. Morelia, Mexico.

Marea de Nudos: Tapices contemporáneos del Taller Mexicano de Gobelinos. Galería Jesús Gallardo. Leon, Mexico.

2009 The Man who fell to Earth. 798 Beijing Biennale 2009. T Art Center. Beijing, China.

Asesinos. Live with Animals. Brooklyn, NY. USA.

Names and Places. Firstdraft. Sidney, Australia.

Last Day of Magic @ Markers VII | 53rd Venice Biennial. ScalaMata Gallery. Venice, Italy.

I can’t get no satisfaction: Contemporary views on the everyday. apexart. New York, NY. USA.

Bad Moon Rising 3. Boots Contemporary Art Space. St. Louis, MO. USA.

Hacia/Desde Mexico DF. Instituto Cervantes de París. Paris, France.

2008 VIBA. ThisIsNotAGallery. Buenos Aires, Argentina.

The use of video in a WC. Gato Vadio. Porto, Portugal.

Hacia/Desde Mexico DF. Spanska Kulturinstitutet Stockholm. Stockholm, Sweden.

ID-entity. Transformer/Mexican Cultural Institute. Washington, DC. USA.

Intransit. Moti Hasson. New York, NY. USA.

Pro Eto | Qui Vive? I Moscow International Biennale for Young Art. National Centre for Contemporary Art. Moscow, Russia.

Is an artist allowed to do anything? Dom Umenia/Display. Bratislava, Slovakia.

Videolab Caldas 2008. Centro da Juventude. Caldas de Rainha, Portugal.

2007 Fissures: Works on video from Mexico. Museo del Barrio. New York, NY. USA.

Return of the Art Dead. Eastern Alliance/NoD Roxy. Prague, Czech Republic.

Separation Perfected. National Center for Contemporary Art. Moscow, Russia.

Videolab Lagos 2007. Laboratório de Artes Criativas/Área 55. Lagos, Portugal.

Segundo Ciclo de Videoarte Latinoamericano. Institut Valencià d’Art Modern. Valencia, Spain.

[PAM] Videobox @ We are your future. 2 Moscow Biennale of Contemporary Art. Winzavod Art Center. Moscow, Russia. /

WhiteBox. New York, NY. USA.

Ultramar. Instituto Cervantes. Brasilia, Brazil.

Luz y Fuerza del Centro. Charro Negro Galería. Guadalajara, Mexico..

Lo que mueve al mundo es la fuerza de gravedad. Casa Las Monas. Leon, Mexico.

2006 Distor. Museo de Arte Carrillo Gil. Mexico City, Mexico.

Primer Ciclo de Videoarte Latinoamericano. Institut Valencià d’Art Modern. Valencia, Spain.

Eastern Alliance: Teledivision. MNAC. Bucharest, Romania / KSA:K. Chisinau, Moldova.

Próximamente... Museo de Arte Carrillo Gil. Mexico City, Mexico.

video_dumbo: Mexico. D.U.M.B.O. Arts Center. Brooklyn, NY. USA.

Les Rencontres Internationales Paris/Berlin. Cinéma l’Entrepôt. Paris, France.

Coup. Weiss Pollack Gallery. New York, NY. USA.

Hysterical Horror: Experimental video from Mexico City. UnionDocs. Brooklyn, NY. USA.

Perpetual Art Machine. Scope New York. New York, NY. USA / Scope Hamptons. Wainscott, NY. USA.

2005 Declaraciones. Museo Nacional Centro de Arte Reina Sofía. Madrid, Spain.

Fear in the City: Prague Underground. Palace Adria. Prague, Czech Republic.

Free Trade. Outpost for Contemporary Art. Los Angeles, CA. USA.

Norteamericanos de tercera... Sudacas de primera. The Art Palace. Madrid, Spain.

The Momentary Seduction of Now. Scope Miami. TownHouse. Miami, FL. USA.

Tan lejos, tan cerca: la Arena México en Monterrey. Arcaute Arte Contemporáneo. Monterrey, Mexico.

We are nothing but the nerds they say we are. Sonora 180, Condesa. Mexico City, Mexico.

México 70. Casa del Lago. Mexico City, Mexico.

Retroactiva. Faro de Oriente. Mexico City, Mexico.

Cheap & Chic. O-Itatti. Mexico City, Mexico.

2004 Bordermates Vacation: For the Giant Margarita. Sundown Salon / Fritz Haeg. Los Angeles, CA. USA.

Abuso de conciencia. Ex Teresa Arte Actual. Mexico City, Mexico.

MHN.03 recreaciones. Museo de Historia Natural. Mexico City, Mexico.

They’re motherfuckers... don’t you know? Casa Frissac. Mexico City, Mexico.

Escalera al cielo. Ex Teresa Arte Actual / Fundación Televisa. MACO México: Arte Contemporáneo. Mexico City, Mexico.

Sábado #6. Bordermates / Revillagigedo 37. Mexico City, Mexico.

Móvil: tiempo diferido. Ex Teresa Arte Actual. Mexico City, Mexico.

Use your Illusion. Consejo Mexicano de Fotografia. Mexico City, Mexico.

2003 Temps nòrdics vs acció mexicana. Panorama. Barcelona, Spain.

Cámara. Museo de Arte Carrillo Gil. Mexico City, Mexico.

Dadapsicodeli. Ex Teresa Arte Actual. Mexico City, Mexico.

MHN.01 especímenes. Museo de Historia Natural. Mexico City, Mexico.

MHN.02 modificaciones. Museo de Historia Natural. Mexico City, Mexico.

El que se mueva no sale en la foto. Centro de la Imagen. Mexico City, Mexico.

2002 El arte mexicano se viste de fiesta. La Panadería. Mexico City, Mexico.

2001 Corriendo sin ver. Alianza Francesa Centro San Ángel. Mexico City, Mexico.

2000 South of North. Fototeka. Los Angeles, CA. USA.

GRANTS, PRIZES & RESIDENCIES

2018 Sistema Nacional de Creadores de Arte | Fellowship 2018-2021. FONCA, Mexico.

2017 International Artist in Residence. Seoul Art Space_Geumcheon. Seoul, South Korea.

2015 Artist-in-Residence Program. Casa Wabi. Puerto Escondido, Mexico.

2013 FONCA/CONACYT International Artistic Residency Program. Meet Factory. Prague, Czech Republic.

EMARE European Media Artists in Residency Exchange. Impakt Foundation. Utrecht, Netherlands.

2012 International Artist-in-Residence Program | ADM. Hangar. Barcelona, Spain.

2011 ONF Artist-in-Residence Program. Object Not Found/CONARTE. Monterrey, Mexico.

2010 Artemergente Bienal Nacional Monterrey 2010. Acquisition prize. Monterrey, Mexico.

JAiR Artist-in-Residence Program. Jaus. Los Angeles, CA. EUA.

2009 International Artist in Residence | Fundación/Colección Jumex. 18th Street Arts Center. Santa Monica, CA. EUA.

Jovenes Creadores | Fellowship 2009-2010. FONCA/CONACULTA, Mexico.

2008 ISCP/ FONCA International Artistic Residency Program. International Studio and Curatorial Program. New York, NY. USA.

2006 Production Grant Program | Fundación/Colección Jumex. Project in collaboration with Outpost for Contemporary Art.

PUBLIC COLLECTIONS

• National Gallery of Victoria. Melbourne, Australia.

• Pinacoteca de Nuevo León. Monterrey, Mexico.

CURATORIAL PROJECTS

2013-15 Grit: Contemporary Mexican Video | An Arbitrary Selection 1996-2012.

MeetFactory. Prague, Czech Republic; Goleb. Amsterdam, The Netherlands; ForumBox. Helsinki, Finland; Museo de Arte de

Zapopan. Guadalajara, Mexico & Casa de la Cultura de Nuevo León. Monterrey, Mexico.

2010    Indian Summer. Curatorial collaboration with Jaime Ashida for Arena México Arte Contemporáneo. Guadalajara, Mexico.

Untitled (Latin America). Curatorial project for Arena México Arte Contemporáneo. Pinta London. London, UK.

2006    Fire in the Taco Bell. Curatorial collaboration for Outpost for Contemporary Art. G727. Los Angeles, CA. USA.

2004    They’re motherfuckers... don’t you know? Curatorial collaboration with Mauricio Limón. Casa Frissac. Mexico City, Mexico.
MHN.03 recreaciones. Curatorial collaboration with Mauricio Limón. Museo de Historia Natural. Mexico City, Mexico.

2003    MHN.02 modificaciones. Curatorial collaboration with Mauricio Limón / Martí Manen.
Museo de Historia Natural. Mexico City, Mexico.

OTHER ACTIVITIES

2016 - Ongoing SOMA Mexico. Academic Board. Mexico City, Mexico.

2009 - Ongoing SOMA Mexico. Founding member | Artist Board. Mexico City, Mexico.

APT Mexico City. Trust Artist. Mexico City, Mexico.

PUBLICATIONS & REVIEWS (selection)

BOOKS & CATALOGUES

Karnes, Andrea, ed. (2013) Mexico Inside Out: Themes in Art since 1990, pp. 80-93, 158-161, 180. Fort Worth: Modern Art Museum of Fort Worth.
Miller, Inbal & Hernández, Edgar Alejandro, eds. (2013) Limitless: Contemporary Art in Mexico City 2000-2010, pp. 116-117, 142-143, 236-237, 447. Mexico City: Cubo Blanco/Editorial RM.
Gioni, Massimiliano & Hoptman, Laura & Cornell, Lauren, eds. (2009) Younger than Jesus: The Artist Directory, p. 447. New York: Phaidon Press.
Jáuregui, Gabriela (2008) Pull the Trigger: Risking Bodies in Recent Art from Mexico City in John C. Welchmann (ed.) The Aesthetics of Risk, pp. 224-245. Zurich: JRP | Ringier.
Pyrkina, Daria, ed. (2008) Qui Vive? I Moscow International Biennale for Young Art, pp. 27-29,46. Moscow: NCCA|MMMA|Stella Art Foundation.

MAGAZINES

Quiroz, Marcela (2017) Javier Barrios and Joaquin Segura in Artforum, December 2017. p. 217
Pederson, Amy (2013) Trials of a Heretic: Joaquin Segura in Artillery, vol. 7 no. 5, May-July 2013. pp. 36-37
Sivanesan, Sumugan (2012) Poetics of Failure in Das Superpaper, no. 25, November 2012. pp. 44-50
Jeppe, Thomas (2011) Deceive, Inveigle & Obfuscate: An interview with Joaquin Segura in Discipline, no. 1, Winter 2011. pp. 46-49
Jáuregui, Gabriela (2011) Mexico City Report in Frieze, no. 136. pp. 116-118
Poloni, Olivia (2010) Omega in Un.Magazine, no. 4.1. pp. 98-102
Fadanelli, Guillermo (2009) El arte de la insolencia in Dia Siete, no. 487. pp. 18-23
Solano Sandoval, Claudia (2009) Violencia Segura invade in Ocio, no. 638, December 2009. p. 23
Capps, Kriston (2009) ID-Entity in Art Papers, January-February 2009. p. 70
Arozqueta, Claudia (2008) El arte de la provocación in Ambientes, vol. 4, no. 21, October-November 2008. pp. 108-110
Arozqueta, Claudia (2007) Cuauhtémoc Buddha in Replicante, vol. 3, no. 10, February-April 2007. p. 30
Calera-Grobet, Antonio (2005) Joaquín Segura in Código 06140, vol. 4, no. 29, October-November 2005. pp. 32-33
David, Mariana (2005) Latin America now in Flash Art International, vol. XXXVIII, no. 243, July-September 2005. pp. 102-105
Jáuregui, Gabriela (2005) Hoy el arte mexicano se viste de fiesta in Lápiz, vol 24, no. 209, January 2005. pp. 62-77
Garnica, Dolores (2005) Término medio, por favor in Ocio, no. 396, April 2005. p. 32
Flores, Jorge (2005) Acapulco Golden in Replicante, vol. 1, no. 2, January-March 2005. p.17
Valdés, Daniel (2005) Acapulco Golden in Marvin, no.29, March 2005. p. 90
David, Mariana (2004) Joaquín Segura: Inminencia de choque in Origina, vol. 12, no. 141, December 2004. pp. 24-33
Celeste (2004) Acapulco Golden in Celeste, no.16, Winter 2004. p.18
Perro Malo y Grosero (2004) Acapulco Golden in Gorila, vol. 3, no. 34, November 2004. p. 46
Mallet, Ana Elena (2003) Antología del Escándalo in DF por Travesías, no.4, October-November 2003. p.57

NEWSPAPERS

Ávila, Sonia (2017) Repertorios de vigilancia in Excelsior, September 29, E3.
Ávila, Sonia (2017) Corrupción, lastre intergeneracional in Excelsior, August 14, E6.
Ávila, Sonia (2016) La guerra que es de todos in Excelsior, December 19, E1,3.
Sánchez, Sandra (2015) La izquierda está de rebaja in Excelsior, Noviembre 30, E4.
Sánchez, Sandra (2015) Bandera en clave morse in Excelsior, October 9, E6.
Miller, Inbal (2014) Segura cuestiona el poder del Estado in Excelsior, February 4, C7.
Mortkowitz, Siegfried (2013) Nurturing international art in The Prague Post, May 15-21, C1-C2.
Solís, Alberto (2011) Joaquín Segura retoma el arte de la resistencia in Milenio Nacional, August 22, 43.
Gutiérrez, Vicente (2010) Joaquín Segura: Una obra de arte debe incomodar in El Economista, February 26, 81.
El Informador (2009) La rebelión estética de Joaquín Segura in El Informador, November 25, 12B.
Pérez, Rebeca (2009) Provocará con arte in Mural, November, C7.
Gutiérrez, Diana (2008) ‘Estetizan’ la violencia in Reforma, October 8, C7.
Hernández, Edgar (2006) Una sobadita para progresar in Excelsior, December 9, C7.
Aréchiga, Gustavo (2005) Arriesgan y provocan en la Arena México in Mural, April 1, 8D.
El Informador (2005) Plástica que incita a la provocación in El Informador, April 1, 10B.
Hernández, Edgar Alejandro (2004) Censuran video alusivo a Imaz in Reforma, April 22, C1.
Riveroll Julieta (2004) Dadapsicodeli, un arte que sí es in Reforma, December 16, C4.
Reforma (2003) Muestra el Carrillo Gil videos ‘mala onda’ in Reforma, September 30, C4.
Ceballos, Miguel Angel (2003) Arte Provocativo in El Universal, September 28, F1.

Joaquin Segura

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